2015•Advances in intelligent systems research/Advances in Intelligent Systems ResearchOpen access

Lin Fengmian from the Perspective of The Anxiety of Influence

Jing Wang, Shuyan Yi, Shuai Wang

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Abstract

The traditional Chinese art history studies has always concerned the style and the form and the connotation and some self-discipline question.This article attempts to use the "anxiety" consciousness of tradition art history of Norman Bryson who is the representative of "New art history", in view of creative interpretation of Chinese artist Lin Fengmian's thought to the reform of art "Chinese Western harmony theory", in order to provide a new perspective and new ideas to art history studies.

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The traditional Chinese art history studies has always concerned the style and the form and the connotation and some self-discipline question.This article attempts to use the "anxiety" consciousness of tradition art history of Norman Bryson who is the representative of "New art history", in view of creative interpretation of Chinese artist Lin Fengmian's thought to the reform of art "Chinese Western harmony theory", in order to provide a new perspective and new ideas to art history studies.

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Available abstract

The traditional Chinese art history studies has always concerned the style and the form and the connotation and some self-discipline question.This article attempts to use the "anxiety" consciousness of tradition art history of Norman Bryson who is the representative of "New art history", in view of creative interpretation of Chinese artist Lin Fengmian's thought to the reform of art "Chinese Western harmony theory", in order to provide a new perspective and new ideas to art history studies.

Key concepts: Perspective (graphical), Harmony (color), Interpretation (philosophy), Connotation, Consciousness, Aesthetics, Style (visual arts), Epistemology

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