Vellum on Boards

The structure described in this article is designed to address this problem of warping, and hopefully lead to an increase in the numbers of binders working in vellum. By applying the “split board” technique I learned as an apprentice in Germany, and described in Wiese, one reduces the pull of the vellum on the boards, making it much easier to control with the counter-linings applied to the inside of the case. In contrast to the technique described by James Brockman in his New Bookbinder article from 1993, this is a case binding, with most of the work being done off the book, something which may make it easier for some as well. Vellum can be used either unlined or lined with this technique. When wanting to take advantage of the translucent properties of vellum, it is often easier to create the work on paper, and then to line the vellum with that. In doing so, it is important not to use too heavy a weight paper and to let the lined vellum dry between blotters and under weight until dry and stabilized. By selectively sanding, applying moisture, and pressure, the properties of translucency can be manipulated. The vellum can also be directly underpainted. Vellum can also be worked in relief. As it does not readily stretch to conform to the contours, it is important to keep these quite flat. Done well, these effects can all be very effective. Special thanks in preparing for the presentation at the 2001 GBW Standards meeting in Alexandria, VA, and with this article go to: Donia Conn, Andrea Reithmayr, Gregory Santos and all my teachers.