Music, Sense and Aesthetic Education
Michael Radford
Abstract
Michael Radford
Abstract
Musical sense is examined at two levels; in relation to human experiences or activity, and by virtue of its ‘form’. Reference in music to experience and activity is discussed in terms of its relationship to musical form. From an analysis of sense in language it is suggested that the social understandings of which music is a part are a source of sense. The origins of this social understanding are examined. How does this sensible quality come to have aesthetic significance? Music may achieve significance from the way in which it refers to experience. Music that achieves sense by virtue of form is examined in terms of the way that it relates to intellectual needs.
OpenAlex reports 1 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
Musical sense is examined at two levels; in relation to human experiences or activity, and by virtue of its ‘form’. Reference in music to experience and activity is discussed in terms of its relationship to musical form. From an analysis of sense in language it is suggested that the social understandings of which music is a part are a source of sense. The origins of this social understanding are examined. How does this sensible quality come to have aesthetic significance? Music may achieve significance from the way in which it refers to experience. Music that achieves sense by virtue of form is examined in terms of the way that it relates to intellectual needs.
Key concepts: Musical, Virtue, Relation (database), Aesthetics, Music and emotion, Psychology, Musical form, Music education