Access, Style and Imagery: The Audience for Prehistoric Rock Art in Atlantic Spain and Portugal, 4000–2000 BC

The prehistoric rock art of western Iberia is normally divided into several styles with different associations, distributions and chronologies. Some are associated with monuments and others are found in the open air. A more basic division may help to account for the degree of overlap between these separate groups. This paper suggests that it may be possible to learn something of the significance of the painted and carved designs by considering their accessibility and the audiences to whom they could have been addressed. The argument is illustrated by recent fieldwork at Monte Penide and El Pedroso.