1983•The American Historical ReviewRequires access

The War Within: From Victorian to Modernist Thought in the South, 1919-1945

Jon L. Wakelyn, Daniel Joseph Singal

Open publisher page 77 citations

Abstract

The years after World War I saw a different sort of war in the American South, as Modernism began to contest the New South Creed for the allegiance of Southern intellectuals. In The War Within , Daniel Joseph Singal examines the struggle between the characteristic culture of twentieth-century America and the South's tenacious blend of Victorianism and the Cavalier myth. He explores the lives and works of historians Ulrich B. Phillips and Broadus Mitchell; novelists Ellen Glasgow, William Faulkner, and Robert Penn Warren; publisher William T. Couch; sociologists Howard Odum, Rupert Vance, Guy Johnson, and Arthur Raper; and Agrarian poets John Crowe Ransom, Donald Davidson, and Allen Tate. The drama Singal unfolds is as much national as regional in its implications. His sophisticated and original analysis of the complex relationship between these southern writers and their heritage enables him to trace the transition to Modernism with unusual clarity and to address questions of major importance in American intellectual history: How did Modernism come into being? Does it display a fundamental, underlying pattern? What are its essential values, beliefs, and assumptions? Singal marshals archival and published sources and combines them with oral history interviews to trace this process of change on the levels of both formal thought and individual experience. He uses the interwar South as the locale for a pioneering examination of the momentous change that has affected all of Western culture.

About this research paper

What this paper is about

The years after World War I saw a different sort of war in the American South, as Modernism began to contest the New South Creed for the allegiance of Southern intellectuals. In The War Within , Daniel Joseph Singal examines the struggle between the characteristic culture of twentieth-century America and the South's tenacious blend of Victorianism and the Cavalier myth. He explores the lives and works of historians Ulrich B. Phillips and Broadus Mitchell; novelists Ellen Glasgow, William Faulkner, and Robert Penn Warren; publisher William T. Couch; sociologists Howard Odum, Rupert Vance, Guy Johnson, and Arthur Raper; and Agrarian poets John Crowe Ransom, Donald Davidson, and Allen Tate. The drama Singal unfolds is as much national as regional in its implications. His sophisticated and original analysis of the complex relationship between these southern writers and their heritage enables him to trace the transition to Modernism with unusual clarity and to address questions of major importance in American intellectual history: How did Modernism come into being? Does it display a fundamental, underlying pattern? What are its essential values, beliefs, and assumptions? Singal marshals archival and published sources and combines them with oral history interviews to trace this process of change on the levels of both formal thought and individual experience. He uses the interwar South as the locale for a pioneering examination of the momentous change that has affected all of Western culture.

Why it matters

OpenAlex reports 77 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

The years after World War I saw a different sort of war in the American South, as Modernism began to contest the New South Creed for the allegiance of Southern intellectuals. In The War Within , Daniel Joseph Singal examines the struggle between the characteristic culture of twentieth-century America and the South's tenacious blend of Victorianism and the Cavalier myth. He explores the lives and works of historians Ulrich B. Phillips and Broadus Mitchell; novelists Ellen Glasgow, William Faulkner, and Robert Penn Warren; publisher William T. Couch; sociologists Howard Odum, Rupert Vance, Guy Johnson, and Arthur Raper; and Agrarian poets John Crowe Ransom, Donald Davidson, and Allen Tate. The drama Singal unfolds is as much national as regional in its implications. His sophisticated and original analysis of the complex relationship between these southern writers and their heritage enables him to trace the transition to Modernism with unusual clarity and to address questions of major importance in American intellectual history: How did Modernism come into being? Does it display a fundamental, underlying pattern? What are its essential values, beliefs, and assumptions? Singal marshals archival and published sources and combines them with oral history interviews to trace this process of change on the levels of both formal thought and individual experience. He uses the interwar South as the locale for a pioneering examination of the momentous change that has affected all of Western culture.

Key concepts: Modernism (music), Knight, History, Spanish Civil War, Historiography, Creed, Art history, Literature

Related papers

Back to paper searchBrowse research topicsOriginal source
The War Within: From Victorian to Modernist Thought in the South, 1919-1945 — Research Paper | ScholarLens