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Meta‐television: Popular postmodernism

Scott Robert Olson

Open publisher page 53 citations

Abstract

Metafiction has been described as a major element of literary postmodernism. Television also can be meta fictional: meta‐television. Three varieties of meta‐television are described: audience awareness and intertextuality or medium‐reflexive structure; metagenericism or genre‐reflexive structure; and autodeconstruction and ilinx or text‐reflexive narrative. Meta‐television relies on the ability of the viewers to recognize artifice. It is the cultural expression of creators and consumers bored with and restricted by television's naturalness.

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What this paper is about

Metafiction has been described as a major element of literary postmodernism. Television also can be meta fictional: meta‐television. Three varieties of meta‐television are described: audience awareness and intertextuality or medium‐reflexive structure; metagenericism or genre‐reflexive structure; and autodeconstruction and ilinx or text‐reflexive narrative. Meta‐television relies on the ability of the viewers to recognize artifice. It is the cultural expression of creators and consumers bored with and restricted by television's naturalness.

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Available abstract

Metafiction has been described as a major element of literary postmodernism. Television also can be meta fictional: meta‐television. Three varieties of meta‐television are described: audience awareness and intertextuality or medium‐reflexive structure; metagenericism or genre‐reflexive structure; and autodeconstruction and ilinx or text‐reflexive narrative. Meta‐television relies on the ability of the viewers to recognize artifice. It is the cultural expression of creators and consumers bored with and restricted by television's naturalness.

Key concepts: Postmodernism, Intertextuality, Reflexivity, Metafiction, Narrative, Television studies, Literature, Naturalness

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