1973•The Journal of the Acoustical Society of AmericaRequires access

Some Psychoacoustic Phenomena Related to Quadraphonic Reproduction

Benjamin B. Bauer, Paul Milner

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Abstract

Heretofore unexplored psychoacoustic phenomena having special bearing on matrix quadraphony have been studied using centrally located observers facing a small end of a simulated rectangular living room with loudspeakers in the corners. It was observed that (1) monotonic all-pass phase-shift networks (“psi-networks”) do not perceptibly affect sound quality; (2) signals applied to the two front loudspeakers through differential quadrature filters appear to spread out and to shift towards the loudspeaker carrying the leading signal (“quadrature shift”); (3) directional cues attributable to signals from the front loudspeakers are relatively uninfluenced by lesser-magnitude similar signals applied to back loudspeakers (“front source dominance”); and (4) the perceived angular coverage of the field produced by the back loudspeakers is substantially smaller than that produced by the front loudspeakers (“back image contraction”).

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What this paper is about

Heretofore unexplored psychoacoustic phenomena having special bearing on matrix quadraphony have been studied using centrally located observers facing a small end of a simulated rectangular living room with loudspeakers in the corners. It was observed that (1) monotonic all-pass phase-shift networks (“psi-networks”) do not perceptibly affect sound quality; (2) signals applied to the two front loudspeakers through differential quadrature filters appear to spread out and to shift towards the loudspeaker carrying the leading signal (“quadrature shift”); (3) directional cues attributable to signals from the front loudspeakers are relatively uninfluenced by lesser-magnitude similar signals applied to back loudspeakers (“front source dominance”); and (4) the perceived angular coverage of the field produced by the back loudspeakers is substantially smaller than that produced by the front loudspeakers (“back image contraction”).

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Available abstract

Heretofore unexplored psychoacoustic phenomena having special bearing on matrix quadraphony have been studied using centrally located observers facing a small end of a simulated rectangular living room with loudspeakers in the corners. It was observed that (1) monotonic all-pass phase-shift networks (“psi-networks”) do not perceptibly affect sound quality; (2) signals applied to the two front loudspeakers through differential quadrature filters appear to spread out and to shift towards the loudspeaker carrying the leading signal (“quadrature shift”); (3) directional cues attributable to signals from the front loudspeakers are relatively uninfluenced by lesser-magnitude similar signals applied to back loudspeakers (“front source dominance”); and (4) the perceived angular coverage of the field produced by the back loudspeakers is substantially smaller than that produced by the front loudspeakers (“back image contraction”).

Key concepts: Loudspeaker, Acoustics, Psychoacoustics, Physics, Computer science, Psychology, Perception, Neuroscience

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