2013The Seventeenth CenturyRequires access

Towards a history of emotion, 1562–1660

David Thorley

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Abstract

This article examines uses of the word emotion during the seventeenth century, arguing that the term's meaning at this time was in flux. OED gives three principle definitions of emotion, the first as meaning ‘political turmoil or agitation’, the second as meaning literally ‘movement or motion’, and the third as meaning ‘strong feelings or passing’. I argue that a great many uses of emotion during the seventeenth century apply the word in the second sense to the physiological movements of humours. This being so, I suggest that in emotion's seventeenth-century uses it is possible to read a transition in the word's meaning. Through its frequent use with references to humours in motion, the word begins to take on the characteristics which would allow it to develop into meaning ‘feelings or passions’.

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What this paper is about

This article examines uses of the word emotion during the seventeenth century, arguing that the term's meaning at this time was in flux. OED gives three principle definitions of emotion, the first as meaning ‘political turmoil or agitation’, the second as meaning literally ‘movement or motion’, and the third as meaning ‘strong feelings or passing’. I argue that a great many uses of emotion during the seventeenth century apply the word in the second sense to the physiological movements of humours. This being so, I suggest that in emotion's seventeenth-century uses it is possible to read a transition in the word's meaning. Through its frequent use with references to humours in motion, the word begins to take on the characteristics which would allow it to develop into meaning ‘feelings or passions’.

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Available abstract

This article examines uses of the word emotion during the seventeenth century, arguing that the term's meaning at this time was in flux. OED gives three principle definitions of emotion, the first as meaning ‘political turmoil or agitation’, the second as meaning literally ‘movement or motion’, and the third as meaning ‘strong feelings or passing’. I argue that a great many uses of emotion during the seventeenth century apply the word in the second sense to the physiological movements of humours. This being so, I suggest that in emotion's seventeenth-century uses it is possible to read a transition in the word's meaning. Through its frequent use with references to humours in motion, the word begins to take on the characteristics which would allow it to develop into meaning ‘feelings or passions’.

Key concepts: Passions, Meaning (existential), Feeling, Psychology, Word (group theory), Politics, Movement (music), Linguistics

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