Preface to Plato
Eric Alfred Havelock
Abstract
Eric Alfred Havelock
Abstract
PART ONE: The Image-Thinkers 1. Plato On Poetry 2. Mimesis 3. Poetry as Preserved Communication 4. The Homeric Encyclopedia 5. Eric as Recorded as Record Versus Epic as Narrative 6. Hesiod on Poetry 7. The Oral Sources of the Hellenic Intelligence 8. The Homeric State of Mind 9. The Psychology of the Poetic Performance 10. The Content and Quality of the Poetised Statement PART TWO: The Necessity of Platonism 11. Psyche or the Separation of the Knower From The Know 12. The Recognition of the Known as Object 13. Poetry as Opinion 14. The Origin of the Theory of Forms 15. 'The Supreme Music is Philosophy'
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PART ONE: The Image-Thinkers 1. Plato On Poetry 2. Mimesis 3. Poetry as Preserved Communication 4. The Homeric Encyclopedia 5. Eric as Recorded as Record Versus Epic as Narrative 6. Hesiod on Poetry 7. The Oral Sources of the Hellenic Intelligence 8. The Homeric State of Mind 9. The Psychology of the Poetic Performance 10. The Content and Quality of the Poetised Statement PART TWO: The Necessity of Platonism 11. Psyche or the Separation of the Knower From The Know 12. The Recognition of the Known as Object 13. Poetry as Opinion 14. The Origin of the Theory of Forms 15. 'The Supreme Music is Philosophy'
Key concepts: Hesiod, Poetry, Psyche, Platonism, Literature, Object (grammar), Philosophy, Narrative