1997African American ReviewRequires access

The Power of Black Music: Interpreting its History from Africa to the United States.

Christopher Brooks, Samuel A. Floyd

Open publisher page 331 citations

Abstract

Floyd has written a path-breaking book on the development of African-American music and its influence in America. He shows how African myths and ritual - especially the ring-shout dances that were ubiquitous in West Africa - have underlain the development of all black music in America. It puts black music - and American music in general - into a new and exciting perspective.

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What this paper is about

Floyd has written a path-breaking book on the development of African-American music and its influence in America. He shows how African myths and ritual - especially the ring-shout dances that were ubiquitous in West Africa - have underlain the development of all black music in America. It puts black music - and American music in general - into a new and exciting perspective.

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OpenAlex reports 331 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

Floyd has written a path-breaking book on the development of African-American music and its influence in America. He shows how African myths and ritual - especially the ring-shout dances that were ubiquitous in West Africa - have underlain the development of all black music in America. It puts black music - and American music in general - into a new and exciting perspective.

Key concepts: Mythology, Black music, Power (physics), History, Perspective (graphical), African american, Black Power, Black culture

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