Kant on the Transcendental Deduction of Space and Time: an Essay on the Philosophical Resources of the Transcendental Aesthetic

Commentary on Kant'sCritique of Pure Reasonhas focused intensively on the transcendental deduction of the categories – the pivotal chapter of the book that governs our understanding of much that precedes it and just about all that follows it. One simple way to understand the systematic function of the Transcendental Deduction is to appreciate that it provides an account of how the ‘two stems of human knowledge’ (A15/B29) – sensibility and understanding – must relate to one another in the production of knowledge. On Kant's view, these capacities are distinguished by their radically different modes of representation: intuition and concept. Although sensibility and understanding are fundamentally distinct – they ‘cannot exchange their functions’ – they must nevertheless cooperate in the production of knowledge: ‘Only through their unification can cognition arise’ (A51/B75–6). The task of the Deduction is to show how the categories – concepts that stem from the ‘nature of the understanding’ alone – apply necessarily to objects that can only be given in experience, and representedasgiven through sensible intuition.