Şeref Xan'sSharafnama: Kurdish Ethno-Politics in the Early Modern World, Its Meaning and Its Legacy
Djene Rhys Bajalan
Abstract
Djene Rhys Bajalan
Abstract
This paper critically analyzes theSharafnama, a history of the Kurds, written by the late sixteenth century ruler of Bitlis, Şeref Xan. Given the politically sensitive nature of the Middle East's “Kurdish Question,” theSharafnamahas become an extremely important resource through which Kurdish nationalists have sought to construct a coherent “national narrative.” This is due to the fact that Şeref Xan's book constitutes one of the few systematic histories of the Kurds written before the twentieth century. This paper moves away from nationalist inspired interpretations of theSharafnama, which see the work as a “national(ist)” history. Instead, it posits that, although the piece can be regarded as a manifestation of Kurdish “ethno-politics,” it is necessary to look at it within the context of the relationship between the Kurdish tribal princes who ruled large areas of “Kurdistan,” on one hand, and the Ottoman and Safavid empires who competed for control of this region, on the other. In particular, it brings to the fore an often forgotten and/or ignored aspect of Şeref Xan's history, namely its pro-Ottoman bias. In this way, the article makes broader points relating to the nature of the Kurdish identity in the early modern period, and the influence of such conceptions on the later construction of the modern Kurdish identity.
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This paper critically analyzes theSharafnama, a history of the Kurds, written by the late sixteenth century ruler of Bitlis, Şeref Xan. Given the politically sensitive nature of the Middle East's “Kurdish Question,” theSharafnamahas become an extremely important resource through which Kurdish nationalists have sought to construct a coherent “national narrative.” This is due to the fact that Şeref Xan's book constitutes one of the few systematic histories of the Kurds written before the twentieth century. This paper moves away from nationalist inspired interpretations of theSharafnama, which see the work as a “national(ist)” history. Instead, it posits that, although the piece can be regarded as a manifestation of Kurdish “ethno-politics,” it is necessary to look at it within the context of the relationship between the Kurdish tribal princes who ruled large areas of “Kurdistan,” on one hand, and the Ottoman and Safavid empires who competed for control of this region, on the other. In particular, it brings to the fore an often forgotten and/or ignored aspect of Şeref Xan's history, namely its pro-Ottoman bias. In this way, the article makes broader points relating to the nature of the Kurdish identity in the early modern period, and the influence of such conceptions on the later construction of the modern Kurdish identity.
Key concepts: Politics, Nationalism, Context (archaeology), Meaning (existential), Narrative, History, National identity, Identity (music)