2002Contemporary Music ReviewRequires access

Voice is the original instrument

Joan Barbarà

Open publisher page 17 citations

Abstract

The singer Joan La Barbara's career as a composer, performer, and sound artist has been devoted to exploring the human voice as a multifaceted instrument, going beyond its traditional boundaries to create works for voices, instruments, and interactive technologies. As a pioneer in the field of contemporary classical music and sound art, she has developed a unique vocabulary of experimental and extended vocal techniques, including the multiphonics, circular singing, ululation, and glottal clicks that have become her signature sounds. Tracing her development as a performer and composer, La Barbara discusses her collaborations with American composers including John Cage, Morton Fieldman, Alvin Lucier, Morton Subotnick, Philip Glass, and Steve Reich, and describes the musical world of New York in the 1970s.

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What this paper is about

The singer Joan La Barbara's career as a composer, performer, and sound artist has been devoted to exploring the human voice as a multifaceted instrument, going beyond its traditional boundaries to create works for voices, instruments, and interactive technologies. As a pioneer in the field of contemporary classical music and sound art, she has developed a unique vocabulary of experimental and extended vocal techniques, including the multiphonics, circular singing, ululation, and glottal clicks that have become her signature sounds. Tracing her development as a performer and composer, La Barbara discusses her collaborations with American composers including John Cage, Morton Fieldman, Alvin Lucier, Morton Subotnick, Philip Glass, and Steve Reich, and describes the musical world of New York in the 1970s.

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OpenAlex reports 17 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

The singer Joan La Barbara's career as a composer, performer, and sound artist has been devoted to exploring the human voice as a multifaceted instrument, going beyond its traditional boundaries to create works for voices, instruments, and interactive technologies. As a pioneer in the field of contemporary classical music and sound art, she has developed a unique vocabulary of experimental and extended vocal techniques, including the multiphonics, circular singing, ululation, and glottal clicks that have become her signature sounds. Tracing her development as a performer and composer, La Barbara discusses her collaborations with American composers including John Cage, Morton Fieldman, Alvin Lucier, Morton Subotnick, Philip Glass, and Steve Reich, and describes the musical world of New York in the 1970s.

Key concepts: Performing arts, John Cage, Improvisation, Singing, Visual arts, Musical, Art, Performance art

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