1997Sixteenth Century JournalRequires access

:The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque Workshop

Katherine A. McIver

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Abstract

The Artist's Hand, Paul Barolsky The Craftsman's Genius - Painters, and Drawings in Trecento Siena, Hayden B.J. Maginnis Sources and Resources - The Lost Sketchbooks of Giovanni di Paolo, Andrew Ladis Titian and the Idea of Originality in the Renaissance, Bruce Cole Instruction and Originality in Michelangelo's Drawings, W.E. Wallace The Earliest Collaborations of Ponformo and Bronzini - The Certosa, the Capponi Chapel, and the Dead Christ with the Virgin and Magdalena, Elizabeth Pilliod Drawings as Means to an End - Preparatory Methods in the Caraccio School, Diane De Grazia De Rossi and Falda - A Successful Collaboration in the Print Industry of 17th-Century Rome, Francesca Consagra Volterrano and the Role of Imitatio in the 17th-Century Practice of Art in Florence, Malcolm Campbell.

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The Artist's Hand, Paul Barolsky The Craftsman's Genius - Painters, and Drawings in Trecento Siena, Hayden B.J. Maginnis Sources and Resources - The Lost Sketchbooks of Giovanni di Paolo, Andrew Ladis Titian and the Idea of Originality in the Renaissance, Bruce Cole Instruction and Originality in Michelangelo's Drawings, W.E. Wallace The Earliest Collaborations of Ponformo and Bronzini - The Certosa, the Capponi Chapel, and the Dead Christ with the Virgin and Magdalena, Elizabeth Pilliod Drawings as Means to an End - Preparatory Methods in the Caraccio School, Diane De Grazia De Rossi and Falda - A Successful Collaboration in the Print Industry of 17th-Century Rome, Francesca Consagra Volterrano and the Role of Imitatio in the 17th-Century Practice of Art in Florence, Malcolm Campbell.

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Available abstract

The Artist's Hand, Paul Barolsky The Craftsman's Genius - Painters, and Drawings in Trecento Siena, Hayden B.J. Maginnis Sources and Resources - The Lost Sketchbooks of Giovanni di Paolo, Andrew Ladis Titian and the Idea of Originality in the Renaissance, Bruce Cole Instruction and Originality in Michelangelo's Drawings, W.E. Wallace The Earliest Collaborations of Ponformo and Bronzini - The Certosa, the Capponi Chapel, and the Dead Christ with the Virgin and Magdalena, Elizabeth Pilliod Drawings as Means to an End - Preparatory Methods in the Caraccio School, Diane De Grazia De Rossi and Falda - A Successful Collaboration in the Print Industry of 17th-Century Rome, Francesca Consagra Volterrano and the Role of Imitatio in the 17th-Century Practice of Art in Florence, Malcolm Campbell.

Key concepts: Originality, Baroque, Chapel, Art, Craft, The Renaissance, Painting, Art history

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