1997Physics TodayRequires access

Concert and Opera Halls: How They Sound

Leo L. Beranek, Dana S. Hougland

Open publisher page 178 citations

Abstract

This illustrated guide examines the acoustical quality of some of the world's most important concert and opera halls and reveals how composers and musicians adapt their art to complement the acoustics of their surroundings. It should be of value to musicians and concert-goers, concert hall managers, recording and audio engineers, and acousticians.

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What this paper is about

This illustrated guide examines the acoustical quality of some of the world's most important concert and opera halls and reveals how composers and musicians adapt their art to complement the acoustics of their surroundings. It should be of value to musicians and concert-goers, concert hall managers, recording and audio engineers, and acousticians.

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OpenAlex reports 178 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

This illustrated guide examines the acoustical quality of some of the world's most important concert and opera halls and reveals how composers and musicians adapt their art to complement the acoustics of their surroundings. It should be of value to musicians and concert-goers, concert hall managers, recording and audio engineers, and acousticians.

Key concepts: Opera, Sound (geography), Opera house, Acoustics, Visual arts, Complement (music), Art, Sound quality

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