1972Modern DramaRequires access

The Danger Of Empathy In Mother Courage

Ronald Woodland

Open publisher page 1 citations

Abstract

IT IS BY NOW A CRITICAL COMMONPLACE that Brecht's Mother Courage and her Children owes its success, if indeed it has any, not so much to the author's implementation of his many theories of playwriting as to his inability, in spite of himself, to put these theories into full practice in his own work. Thus, it is claimed, we respond not to the story of Mother Courage but to the character herself. We are inspired by the woman's courage and sent home from the theater admiring her fortitude, ourselves encouraged to emulate her ineffably good qualities. We respond to the play in terms of our response to its title character. In short, we identify with Mother Courage, make her character our own, and turn her survival into an encouraging affirmation of our own human will to survive. Mother Courage is, ultimately. truly courageous, and her courage sees her through all her tribulations: so we, as audience to her courage, take comfort and gain succor through seeing ourselves in Mother Courage.

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IT IS BY NOW A CRITICAL COMMONPLACE that Brecht's Mother Courage and her Children owes its success, if indeed it has any, not so much to the author's implementation of his many theories of playwriting as to his inability, in spite of himself, to put these theories into full practice in his own work. Thus, it is claimed, we respond not to the story of Mother Courage but to the character herself. We are inspired by the woman's courage and sent home from the theater admiring her fortitude, ourselves encouraged to emulate her ineffably good qualities. We respond to the play in terms of our response to its title character. In short, we identify with Mother Courage, make her character our own, and turn her survival into an encouraging affirmation of our own human will to survive. Mother Courage is, ultimately. truly courageous, and her courage sees her through all her tribulations: so we, as audience to her courage, take comfort and gain succor through seeing ourselves in Mother Courage.

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Available abstract

IT IS BY NOW A CRITICAL COMMONPLACE that Brecht's Mother Courage and her Children owes its success, if indeed it has any, not so much to the author's implementation of his many theories of playwriting as to his inability, in spite of himself, to put these theories into full practice in his own work. Thus, it is claimed, we respond not to the story of Mother Courage but to the character herself. We are inspired by the woman's courage and sent home from the theater admiring her fortitude, ourselves encouraged to emulate her ineffably good qualities. We respond to the play in terms of our response to its title character. In short, we identify with Mother Courage, make her character our own, and turn her survival into an encouraging affirmation of our own human will to survive. Mother Courage is, ultimately. truly courageous, and her courage sees her through all her tribulations: so we, as audience to her courage, take comfort and gain succor through seeing ourselves in Mother Courage.

Key concepts: Courage, Character (mathematics), Empathy, Psychology, Psychoanalysis, Aesthetics, Philosophy, Social psychology

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