2008New Literary HistoryRequires access

Toward Interpretive Pluralism: Literary History and the History of Reading

Brian Stock

Open publisher page 12 citations

Abstract

As a discipline, literary history is about four centuries old. There is not much literary history in antiquity or the Middle Ages. Literary history begins to be written seriously in the early modern period. The writing of this kind of history coincides with the appearance of national identity, that is, the sense of identity associated with the nation-state. Literary history is one form of expression of na tional identity. Efforts have been made from time to time to introduce an international perspective into literary history, but most projects in the field are still conceived within a nationalist framework.

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What this paper is about

As a discipline, literary history is about four centuries old. There is not much literary history in antiquity or the Middle Ages. Literary history begins to be written seriously in the early modern period. The writing of this kind of history coincides with the appearance of national identity, that is, the sense of identity associated with the nation-state. Literary history is one form of expression of na tional identity. Efforts have been made from time to time to introduce an international perspective into literary history, but most projects in the field are still conceived within a nationalist framework.

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OpenAlex reports 12 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

As a discipline, literary history is about four centuries old. There is not much literary history in antiquity or the Middle Ages. Literary history begins to be written seriously in the early modern period. The writing of this kind of history coincides with the appearance of national identity, that is, the sense of identity associated with the nation-state. Literary history is one form of expression of na tional identity. Efforts have been made from time to time to introduce an international perspective into literary history, but most projects in the field are still conceived within a nationalist framework.

Key concepts: History of literature, Nationalism, Literature, Identity (music), Literary criticism, Reading (process), Literary science, Pluralism (philosophy)

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