James J. Fernandes
Abstract
This investigation focuses on the publicly‐oriented correspondence of Marcus Tullius Cicero as a separate Ciceronian genre and concludes that the letters Cicero marked for publication differ significantly from both his orations and private correspondence in terms of purpose, strategy, and style.
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This investigation focuses on the publicly‐oriented correspondence of Marcus Tullius Cicero as a separate Ciceronian genre and concludes that the letters Cicero marked for publication differ significantly from both his orations and private correspondence in terms of purpose, strategy, and style.
Key concepts: Cicero, Style (visual arts), Literature, Linguistics, Philosophy, Classics, Art