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The Theater and Its Double

Antonin Artaud

Open publisher page 569 citations

Abstract

A collection of manifestos originally published in 1938, The Theater and Its Double is the fullest statement of the ideas of Antonin Artaud. We cannot go on prostituting the idea of the theater, the only value of which is in its excruciating, magical relation to reality and danger, he wrote. He fought vigorously against an encroaching conventionalism he found anathema to the very concept of theater. He sought to use theater to transcend writing, to break through the language in order to touch life.

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What this paper is about

A collection of manifestos originally published in 1938, The Theater and Its Double is the fullest statement of the ideas of Antonin Artaud. We cannot go on prostituting the idea of the theater, the only value of which is in its excruciating, magical relation to reality and danger, he wrote. He fought vigorously against an encroaching conventionalism he found anathema to the very concept of theater. He sought to use theater to transcend writing, to break through the language in order to touch life.

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OpenAlex reports 569 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

A collection of manifestos originally published in 1938, The Theater and Its Double is the fullest statement of the ideas of Antonin Artaud. We cannot go on prostituting the idea of the theater, the only value of which is in its excruciating, magical relation to reality and danger, he wrote. He fought vigorously against an encroaching conventionalism he found anathema to the very concept of theater. He sought to use theater to transcend writing, to break through the language in order to touch life.

Key concepts: Conventionalism, Statement (logic), Relation (database), Value (mathematics), Order (exchange), Art, Literature, Art history

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