1994•World ArchaeologyOpen access

Rock art research as landscape archaeology: A pilot study in Galicia, north‐west Spain

Richard A. Bradley, Felipe Criado Boado, Ramón Fábregas Valcarce

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Abstract

Like so much rock art, the Neolithic/Bronze Age petroglyphs of Galicia have been studied mainly as a source of stylistic information. This paper contends that it may be more rewarding to see them as a vital component of the prehistoric landscape. In this paper we study their siting in relation to Galician ecology and the movement of wild animals across the terrain. We also consider the organization of the panels of carved rock at a more local level and attempt to interpret their distinctive use of the local topography. We should not treat rock carvings as if they were portable artefacts. A more flexible approach to this material may help to break down the functionalist bias of landscape archaeology.

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What this paper is about

Like so much rock art, the Neolithic/Bronze Age petroglyphs of Galicia have been studied mainly as a source of stylistic information. This paper contends that it may be more rewarding to see them as a vital component of the prehistoric landscape. In this paper we study their siting in relation to Galician ecology and the movement of wild animals across the terrain. We also consider the organization of the panels of carved rock at a more local level and attempt to interpret their distinctive use of the local topography. We should not treat rock carvings as if they were portable artefacts. A more flexible approach to this material may help to break down the functionalist bias of landscape archaeology.

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Available abstract

Like so much rock art, the Neolithic/Bronze Age petroglyphs of Galicia have been studied mainly as a source of stylistic information. This paper contends that it may be more rewarding to see them as a vital component of the prehistoric landscape. In this paper we study their siting in relation to Galician ecology and the movement of wild animals across the terrain. We also consider the organization of the panels of carved rock at a more local level and attempt to interpret their distinctive use of the local topography. We should not treat rock carvings as if they were portable artefacts. A more flexible approach to this material may help to break down the functionalist bias of landscape archaeology.

Key concepts: Rock art, Archaeology, Prehistory, Landscape archaeology, Bronze Age, Terrain, Geography, Prehistoric archaeology

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