2004Oxford University Press eBooksOpen access

Electronic and Computer Music

Peter Manning

Open full text 189 citations

Abstract

1. The Background, to 1945 2. Paris and Musique Concrete 3. Cologne and Electronische Musik 4. Milan and Elsewhere in Europe 5. America 6. The Voltage-Controlled Synthesizer 7. Works for Tape 8. Live Electronic Music 9. Rock and Pop Electronic Music 10. The Foundations of Computer Music 11. From Computer Technology to Musical Creativity i Software Synthesis and Computer-Assisted Composition ii Hybrid Synthesis 12. The Microprocessor Revolution 13. The Characteristics of Digital Audio 14. The Development of the MIDI Communications Protocol 15. From Analog to Digital: The Evolution of MIDI Hardware i The Pioneering Phase, to 1983 ii The Development of the MIDI Sampler iii New Directions in Synthesizer Architectures iv Beyond the Keyboard: Alternative Performance Controllers v Other MIDI-Related Hardware 16. From Microcomputer to Music Computer: The MIDI Dimension 17. New Horizons for MIDI-based Technologies 18. Personal Computers and Sound Processing 19. Music Workstations and Related Computing Architectures 20. Performance Controllers 21. New Horizons in Synthesis and Signal Processing Software 22. Conclusion

About this research paper

What this paper is about

1. The Background, to 1945 2. Paris and Musique Concrete 3. Cologne and Electronische Musik 4. Milan and Elsewhere in Europe 5. America 6. The Voltage-Controlled Synthesizer 7. Works for Tape 8. Live Electronic Music 9. Rock and Pop Electronic Music 10. The Foundations of Computer Music 11. From Computer Technology to Musical Creativity i Software Synthesis and Computer-Assisted Composition ii Hybrid Synthesis 12. The Microprocessor Revolution 13. The Characteristics of Digital Audio 14. The Development of the MIDI Communications Protocol 15. From Analog to Digital: The Evolution of MIDI Hardware i The Pioneering Phase, to 1983 ii The Development of the MIDI Sampler iii New Directions in Synthesizer Architectures iv Beyond the Keyboard: Alternative Performance Controllers v Other MIDI-Related Hardware 16. From Microcomputer to Music Computer: The MIDI Dimension 17. New Horizons for MIDI-based Technologies 18. Personal Computers and Sound Processing 19. Music Workstations and Related Computing Architectures 20. Performance Controllers 21. New Horizons in Synthesis and Signal Processing Software 22. Conclusion

Why it matters

OpenAlex reports 189 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

1. The Background, to 1945 2. Paris and Musique Concrete 3. Cologne and Electronische Musik 4. Milan and Elsewhere in Europe 5. America 6. The Voltage-Controlled Synthesizer 7. Works for Tape 8. Live Electronic Music 9. Rock and Pop Electronic Music 10. The Foundations of Computer Music 11. From Computer Technology to Musical Creativity i Software Synthesis and Computer-Assisted Composition ii Hybrid Synthesis 12. The Microprocessor Revolution 13. The Characteristics of Digital Audio 14. The Development of the MIDI Communications Protocol 15. From Analog to Digital: The Evolution of MIDI Hardware i The Pioneering Phase, to 1983 ii The Development of the MIDI Sampler iii New Directions in Synthesizer Architectures iv Beyond the Keyboard: Alternative Performance Controllers v Other MIDI-Related Hardware 16. From Microcomputer to Music Computer: The MIDI Dimension 17. New Horizons for MIDI-based Technologies 18. Personal Computers and Sound Processing 19. Music Workstations and Related Computing Architectures 20. Performance Controllers 21. New Horizons in Synthesis and Signal Processing Software 22. Conclusion

Key concepts: Computer science, Electronic music, Art, Visual arts

Related papers

Back to paper searchBrowse research topicsOriginal source
Electronic and Computer Music — Research Paper | ScholarLens