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“No Beauty Tips or Guilt Trips”:Rockrgrl, Rock, and Representation

Athena Elafros

Open publisher page 7 citations

Abstract

Rockrgrl (1995–2005) was an American-based music magazine which showcased female musicians. My study assesses its claims to possess an “alternative voice” by examining whether or not “diverse points of view” are reflected in its content. Drawing on intersectionality theories, I seek to explore the policies and practices through which Rockrgrl simultaneously challenges and reinforces many tropes of mainstream rock criticism. Rockrgrl challenges how female musicians are talked about by focusing on their music, and what is talked about by offering feminist critiques of the music industry. However, Rockrgrl reinforces who is talked about by predominantly discussing the talents of white women musicians at the expense of women of color.

About this research paper

What this paper is about

Rockrgrl (1995–2005) was an American-based music magazine which showcased female musicians. My study assesses its claims to possess an “alternative voice” by examining whether or not “diverse points of view” are reflected in its content. Drawing on intersectionality theories, I seek to explore the policies and practices through which Rockrgrl simultaneously challenges and reinforces many tropes of mainstream rock criticism. Rockrgrl challenges how female musicians are talked about by focusing on their music, and what is talked about by offering feminist critiques of the music industry. However, Rockrgrl reinforces who is talked about by predominantly discussing the talents of white women musicians at the expense of women of color.

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OpenAlex reports 7 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

Rockrgrl (1995–2005) was an American-based music magazine which showcased female musicians. My study assesses its claims to possess an “alternative voice” by examining whether or not “diverse points of view” are reflected in its content. Drawing on intersectionality theories, I seek to explore the policies and practices through which Rockrgrl simultaneously challenges and reinforces many tropes of mainstream rock criticism. Rockrgrl challenges how female musicians are talked about by focusing on their music, and what is talked about by offering feminist critiques of the music industry. However, Rockrgrl reinforces who is talked about by predominantly discussing the talents of white women musicians at the expense of women of color.

Key concepts: Mainstream, Criticism, Aesthetics, Intersectionality, White (mutation), Representation (politics), TRIPS architecture, Music industry

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