2006•Convergence The International Journal of Research into New Media TechnologiesRequires access

A Future for Hypertext Fiction

James Pope

Open publisher page 22 citations

Abstract

Despite continued interest from the academy and creative writers, the question remains as to whether ‘ordinary’ readers, used to the conventions of print narratives, can enjoy hypertext fiction. Since each hypertext fiction interface is more or less idiosyncratic, readers can be discouraged by unfriendly interface designs. Radically re-structured narrative forms can also cause confusion for readers. Critical works and empirical research from literary studies and interface design provide clues towards a better understanding of the effects of hypertext fiction upon readers, and knowledge from both fields can be productively merged in empirical studies of hypertext. This article provides a methodological specification, and a summary of findings from my ongoing study of readers’ responses to a range of hypertext fictions and their interfaces. Though there are barriers to reading pleasure, these can be overcome, and there is evidence that hyper text fiction can be as engaging and enjoyable as fiction in print.

About this research paper

What this paper is about

Despite continued interest from the academy and creative writers, the question remains as to whether ‘ordinary’ readers, used to the conventions of print narratives, can enjoy hypertext fiction. Since each hypertext fiction interface is more or less idiosyncratic, readers can be discouraged by unfriendly interface designs. Radically re-structured narrative forms can also cause confusion for readers. Critical works and empirical research from literary studies and interface design provide clues towards a better understanding of the effects of hypertext fiction upon readers, and knowledge from both fields can be productively merged in empirical studies of hypertext. This article provides a methodological specification, and a summary of findings from my ongoing study of readers’ responses to a range of hypertext fictions and their interfaces. Though there are barriers to reading pleasure, these can be overcome, and there is evidence that hyper text fiction can be as engaging and enjoyable as fiction in print.

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Available abstract

Despite continued interest from the academy and creative writers, the question remains as to whether ‘ordinary’ readers, used to the conventions of print narratives, can enjoy hypertext fiction. Since each hypertext fiction interface is more or less idiosyncratic, readers can be discouraged by unfriendly interface designs. Radically re-structured narrative forms can also cause confusion for readers. Critical works and empirical research from literary studies and interface design provide clues towards a better understanding of the effects of hypertext fiction upon readers, and knowledge from both fields can be productively merged in empirical studies of hypertext. This article provides a methodological specification, and a summary of findings from my ongoing study of readers’ responses to a range of hypertext fictions and their interfaces. Though there are barriers to reading pleasure, these can be overcome, and there is evidence that hyper text fiction can be as engaging and enjoyable as fiction in print.

Key concepts: Hypertext, Narrative, Reading (process), Pleasure, Computer science, Hypermedia, Interface (matter), Empirical research

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