1965The Journal of the Acoustical Society of AmericaRequires access

Quality of Violin, Viola, 'Cello, and Bass-Viol Tones. I

Harvey Fletcher, E. Donnell Blackham, O. Norman Geertsen

Open publisher page 30 citations

Abstract

The elements that are important in the identification of the violin, viola, 'cello, and bass-viol tones were analyzed. These elements were found to be the harmonic structure of the middle portion of the tone; the harmonic structure of the ending portion of the tone (certain partials decayed rapidly leaving an afterring); the attack and decay of the tones; the vibrato (when present) of the tones; and the noises inherent in the mechanics of producing the tones. With the exception of vibrato, the important elements were determined and successful synthesis was accomplished. By the use of a jury of observers, identification tests were made. A successful description was arrived at when and only when synthetic tones could not be identified from real tones. It was found that there is a vibrato both in frequency and relative intensity.

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What this paper is about

The elements that are important in the identification of the violin, viola, 'cello, and bass-viol tones were analyzed. These elements were found to be the harmonic structure of the middle portion of the tone; the harmonic structure of the ending portion of the tone (certain partials decayed rapidly leaving an afterring); the attack and decay of the tones; the vibrato (when present) of the tones; and the noises inherent in the mechanics of producing the tones. With the exception of vibrato, the important elements were determined and successful synthesis was accomplished. By the use of a jury of observers, identification tests were made. A successful description was arrived at when and only when synthetic tones could not be identified from real tones. It was found that there is a vibrato both in frequency and relative intensity.

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Available abstract

The elements that are important in the identification of the violin, viola, 'cello, and bass-viol tones were analyzed. These elements were found to be the harmonic structure of the middle portion of the tone; the harmonic structure of the ending portion of the tone (certain partials decayed rapidly leaving an afterring); the attack and decay of the tones; the vibrato (when present) of the tones; and the noises inherent in the mechanics of producing the tones. With the exception of vibrato, the important elements were determined and successful synthesis was accomplished. By the use of a jury of observers, identification tests were made. A successful description was arrived at when and only when synthetic tones could not be identified from real tones. It was found that there is a vibrato both in frequency and relative intensity.

Key concepts: Vibrato, Cello, Bass (fish), Viola, Violin, Acoustics, Tone (literature), Musical tone

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