1999•Contemporary Music ReviewRequires access

The performer is us

Joel Chadabe

Open publisher page 6 citations

Abstract

Interactive media present new opportunities for composers to create compositions that allow members of the public, even those without musical skill, to become performers. A categorization of different types of interactive realtime music is proposed from the perspective of the performer's role.

About this research paper

What this paper is about

Interactive media present new opportunities for composers to create compositions that allow members of the public, even those without musical skill, to become performers. A categorization of different types of interactive realtime music is proposed from the perspective of the performer's role.

Why it matters

OpenAlex reports 6 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Interactive media present new opportunities for composers to create compositions that allow members of the public, even those without musical skill, to become performers. A categorization of different types of interactive realtime music is proposed from the perspective of the performer's role.

Key concepts: Performing arts, Musical, Categorization, Perspective (graphical), Visual arts, Aesthetics, Sociology, Art

Related papers

Back to paper searchBrowse research topicsOriginal source
The performer is us — Research Paper | ScholarLens