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Allegory and Symbolism in Italian Renaissance Painting

Mikhail Vladimirovitch Alpatov

Open publisher page 19 citations

Abstract

Art-historians of our time have concerned themselves mainly with research into the literary and philosophic sources of Renaissance works; this leads to a detailed philological commentary on its broader themes. However, it may be noted that neither iconology nor semiotics have yet observed the existence of various types of figuration in the plastic arts of that period.

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Art-historians of our time have concerned themselves mainly with research into the literary and philosophic sources of Renaissance works; this leads to a detailed philological commentary on its broader themes. However, it may be noted that neither iconology nor semiotics have yet observed the existence of various types of figuration in the plastic arts of that period.

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OpenAlex reports 19 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

Art-historians of our time have concerned themselves mainly with research into the literary and philosophic sources of Renaissance works; this leads to a detailed philological commentary on its broader themes. However, it may be noted that neither iconology nor semiotics have yet observed the existence of various types of figuration in the plastic arts of that period.

Key concepts: Allegory, The Renaissance, Painting, Art, Art history, Literature

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