space-dis-place: How Sound and Interactivity Can Reconfigure Our Apprehension of Space
Stuart Blake Jones
Abstract
Stuart Blake Jones
Abstract
The author examines the plasticity of the perceptual spaces generated by sound and interactivity and how their dynamic relationships to other perceptual spaces, both mediated and physical, affect our overall perception of the space we are in. He does this by analyzing some of his own work, in the wider context of architecture and time-based art and design, referencing work by other makers.
OpenAlex reports 4 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
The author examines the plasticity of the perceptual spaces generated by sound and interactivity and how their dynamic relationships to other perceptual spaces, both mediated and physical, affect our overall perception of the space we are in. He does this by analyzing some of his own work, in the wider context of architecture and time-based art and design, referencing work by other makers.
Key concepts: Interactivity, Perception, Apprehension, Space (punctuation), Sound (geography), Context (archaeology), Architecture, Computer science