2006•Leonardo Music JournalRequires access

space-dis-place: How Sound and Interactivity Can Reconfigure Our Apprehension of Space

Stuart Blake Jones

Open publisher page 4 citations

Abstract

The author examines the plasticity of the perceptual spaces generated by sound and interactivity and how their dynamic relationships to other perceptual spaces, both mediated and physical, affect our overall perception of the space we are in. He does this by analyzing some of his own work, in the wider context of architecture and time-based art and design, referencing work by other makers.

About this research paper

What this paper is about

The author examines the plasticity of the perceptual spaces generated by sound and interactivity and how their dynamic relationships to other perceptual spaces, both mediated and physical, affect our overall perception of the space we are in. He does this by analyzing some of his own work, in the wider context of architecture and time-based art and design, referencing work by other makers.

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OpenAlex reports 4 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

The author examines the plasticity of the perceptual spaces generated by sound and interactivity and how their dynamic relationships to other perceptual spaces, both mediated and physical, affect our overall perception of the space we are in. He does this by analyzing some of his own work, in the wider context of architecture and time-based art and design, referencing work by other makers.

Key concepts: Interactivity, Perception, Apprehension, Space (punctuation), Sound (geography), Context (archaeology), Architecture, Computer science

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