1998•NotesRequires access

Computer Music: Synthesis, Composition, and Performance

Christopher Dobrian, Charles Richards Dodge, Thomas A. Jerse

Open publisher page 215 citations

Abstract

From the Publisher: First published in 1985, Computer Music has been embraced worldwide as the best available introduction to the use of computer synthesis in musical composition. This new edition of Computer Music builds on the foundation of the original book to address the revolution in computing technology that has put computer music within the reach of all, including the availability of powerful personal computers at low cost, the development of user-friendly software, and the establishment of the MIDI interface for digital control of music hardware. Many new compositional examples are included, and current trends in performance practice are described. In short, this book serves as a thorough introduction to the world of computer music - synthesis, composition, and performance - written in such a way that music students can understand it.

About this research paper

What this paper is about

From the Publisher: First published in 1985, Computer Music has been embraced worldwide as the best available introduction to the use of computer synthesis in musical composition. This new edition of Computer Music builds on the foundation of the original book to address the revolution in computing technology that has put computer music within the reach of all, including the availability of powerful personal computers at low cost, the development of user-friendly software, and the establishment of the MIDI interface for digital control of music hardware. Many new compositional examples are included, and current trends in performance practice are described. In short, this book serves as a thorough introduction to the world of computer music - synthesis, composition, and performance - written in such a way that music students can understand it.

Why it matters

OpenAlex reports 215 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

From the Publisher: First published in 1985, Computer Music has been embraced worldwide as the best available introduction to the use of computer synthesis in musical composition. This new edition of Computer Music builds on the foundation of the original book to address the revolution in computing technology that has put computer music within the reach of all, including the availability of powerful personal computers at low cost, the development of user-friendly software, and the establishment of the MIDI interface for digital control of music hardware. Many new compositional examples are included, and current trends in performance practice are described. In short, this book serves as a thorough introduction to the world of computer music - synthesis, composition, and performance - written in such a way that music students can understand it.

Key concepts: Composition (language), Computer science, Art, Literature

Related papers

Back to paper searchBrowse research topicsOriginal source
Computer Music: Synthesis, Composition, and Performance — Research Paper | ScholarLens