2013Book 2 0Open access

The digital publishing communications circuit

Padmini Ray Murray, Claire Squires

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Abstract

Abstract The publishing value chain has remained relatively consistent since the invention of the printing press. Robert Darnton’s influential model of the communications circuit of the book, which tracks how intellectual property circulated in eighteenth-century France, has been a largely accurate representation of the publishing industry until the late twentieth century. This article examines changes to the publishing industry, particularly as a result of the disruptions and disintermediations of the digital age, and proposes a re-drawing of the communications circuit for the twenty-first century. The research in this article was supported by the Arts and Humanities Research Council grant number AH/J01317X/1The Book Unbound: Disruption and Disintermediation in the Digital Age.

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What this paper is about

Abstract The publishing value chain has remained relatively consistent since the invention of the printing press. Robert Darnton’s influential model of the communications circuit of the book, which tracks how intellectual property circulated in eighteenth-century France, has been a largely accurate representation of the publishing industry until the late twentieth century. This article examines changes to the publishing industry, particularly as a result of the disruptions and disintermediations of the digital age, and proposes a re-drawing of the communications circuit for the twenty-first century. The research in this article was supported by the Arts and Humanities Research Council grant number AH/J01317X/1The Book Unbound: Disruption and Disintermediation in the Digital Age.

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Available abstract

Abstract The publishing value chain has remained relatively consistent since the invention of the printing press. Robert Darnton’s influential model of the communications circuit of the book, which tracks how intellectual property circulated in eighteenth-century France, has been a largely accurate representation of the publishing industry until the late twentieth century. This article examines changes to the publishing industry, particularly as a result of the disruptions and disintermediations of the digital age, and proposes a re-drawing of the communications circuit for the twenty-first century. The research in this article was supported by the Arts and Humanities Research Council grant number AH/J01317X/1The Book Unbound: Disruption and Disintermediation in the Digital Age.

Key concepts: Publishing, Disintermediation, Digital era, The arts, Representation (politics), Electronic publishing, Media studies, Sociology

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