2008•International Journal of Art & Design EducationRequires access

Taking a Long Look at Art: Reflections on the Production and Consumption of Art in Art Therapy and Allied Organisational Settings

Andrea Gilroy

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Abstract

Abstract This article draws on experiences of looking at art to consider the influence of social context on the production and consumption of art. I draw on art historical discourses and relate these to looking at art in art therapy and related organisational settings. I suggest that professional socialisation profoundly influences how practitioners look and think about what they see. I propose that attention to tacit knowledge about art, extending practices of looking to include contemporary discourse about audiencing, curating and display, and taking time for a long look at art and at the art made in art therapy and allied settings, can enliven and sustain practitioners' ‘ways of seeing’.

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What this paper is about

Abstract This article draws on experiences of looking at art to consider the influence of social context on the production and consumption of art. I draw on art historical discourses and relate these to looking at art in art therapy and related organisational settings. I suggest that professional socialisation profoundly influences how practitioners look and think about what they see. I propose that attention to tacit knowledge about art, extending practices of looking to include contemporary discourse about audiencing, curating and display, and taking time for a long look at art and at the art made in art therapy and allied settings, can enliven and sustain practitioners' ‘ways of seeing’.

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Available abstract

Abstract This article draws on experiences of looking at art to consider the influence of social context on the production and consumption of art. I draw on art historical discourses and relate these to looking at art in art therapy and related organisational settings. I suggest that professional socialisation profoundly influences how practitioners look and think about what they see. I propose that attention to tacit knowledge about art, extending practices of looking to include contemporary discourse about audiencing, curating and display, and taking time for a long look at art and at the art made in art therapy and allied settings, can enliven and sustain practitioners' ‘ways of seeing’.

Key concepts: Contemporary art, Art therapy, Art methodology, Consumption (sociology), Context (archaeology), Tacit knowledge, Aesthetics, Anthropology of art

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