2000Asian Theatre JournalRequires access

Yoritomo's Death: A Shin Kabuki Play by Mayama Seika

Brian Powell

Open publisher page 1 citations

Abstract

Kabuki , while being one of Japan's three great classical theatre genres, has also benefited from dramatic works written especially for it by a variety of playwrights in the modern period. These are referred to as shin kabuki or "new kabuki ." Mayama Seika is one of the best-known shin kabuki playwrights, and many of the plays he wrote in the 1920s and 1930s are still performed today. He is noted for introducing dense dialogue into kabuki , but he was also a practical playwright who knew well the capabilities of the actors for whom he was writing. Yoritomo's Death focuses on the efforts of the shogun Yoriie (1182-1204) to learn the truth about how his father, the great general and first shogun Yoritomo, met his death. We the audience know, because we are told in Scene 1, and three other people close to Yoriie know, but Yoriie himself does not know. For him discovering the truth becomes an obsession, and his inability to force or persuade the three to tell him proves to him that his political and military power, clearly demonstrated at the beginning of Scene 2, is illusory. And because he has chosen to define himself as an individual by his acquisition of this piece of knowledge, it also destroys him as a person.

About this research paper

What this paper is about

Kabuki , while being one of Japan's three great classical theatre genres, has also benefited from dramatic works written especially for it by a variety of playwrights in the modern period. These are referred to as shin kabuki or "new kabuki ." Mayama Seika is one of the best-known shin kabuki playwrights, and many of the plays he wrote in the 1920s and 1930s are still performed today. He is noted for introducing dense dialogue into kabuki , but he was also a practical playwright who knew well the capabilities of the actors for whom he was writing. Yoritomo's Death focuses on the efforts of the shogun Yoriie (1182-1204) to learn the truth about how his father, the great general and first shogun Yoritomo, met his death. We the audience know, because we are told in Scene 1, and three other people close to Yoriie know, but Yoriie himself does not know. For him discovering the truth becomes an obsession, and his inability to force or persuade the three to tell him proves to him that his political and military power, clearly demonstrated at the beginning of Scene 2, is illusory. And because he has chosen to define himself as an individual by his acquisition of this piece of knowledge, it also destroys him as a person.

Why it matters

OpenAlex reports 1 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Kabuki , while being one of Japan's three great classical theatre genres, has also benefited from dramatic works written especially for it by a variety of playwrights in the modern period. These are referred to as shin kabuki or "new kabuki ." Mayama Seika is one of the best-known shin kabuki playwrights, and many of the plays he wrote in the 1920s and 1930s are still performed today. He is noted for introducing dense dialogue into kabuki , but he was also a practical playwright who knew well the capabilities of the actors for whom he was writing. Yoritomo's Death focuses on the efforts of the shogun Yoriie (1182-1204) to learn the truth about how his father, the great general and first shogun Yoritomo, met his death. We the audience know, because we are told in Scene 1, and three other people close to Yoriie know, but Yoriie himself does not know. For him discovering the truth becomes an obsession, and his inability to force or persuade the three to tell him proves to him that his political and military power, clearly demonstrated at the beginning of Scene 2, is illusory. And because he has chosen to define himself as an individual by his acquisition of this piece of knowledge, it also destroys him as a person.

Key concepts: Kabuki, Art, History, Literature

Related papers

Back to paper searchBrowse research topicsOriginal source
Yoritomo's Death: A Shin Kabuki Play by Mayama Seika — Research Paper | ScholarLens