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The Chinese music box

Ian R.M. Cross

Open publisher page 3 citations

Abstract

It is argued that cognitive‐scientific approaches to music have not, in general, addressed issues that differentiate music from other domains of human experience. A thought experiment is proposed, in which a computer generates music while another computer listens to it; the activities of the computers are, however, not observable because they are contained in the Chinese Music Box. From consideration of this experiment it is suggested that consensus and intention are integral elements in the human experience of music.

About this research paper

What this paper is about

It is argued that cognitive‐scientific approaches to music have not, in general, addressed issues that differentiate music from other domains of human experience. A thought experiment is proposed, in which a computer generates music while another computer listens to it; the activities of the computers are, however, not observable because they are contained in the Chinese Music Box. From consideration of this experiment it is suggested that consensus and intention are integral elements in the human experience of music.

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OpenAlex reports 3 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

It is argued that cognitive‐scientific approaches to music have not, in general, addressed issues that differentiate music from other domains of human experience. A thought experiment is proposed, in which a computer generates music while another computer listens to it; the activities of the computers are, however, not observable because they are contained in the Chinese Music Box. From consideration of this experiment it is suggested that consensus and intention are integral elements in the human experience of music.

Key concepts: Pop music automation, Music psychology, Computer science, Cognition, Computer music, Cognitive science, Music education, Psychology

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