Naturalizing the Supernatural: Faith, Irreverence and Magical Realism

Abstract Starting from a basic understanding of magical realism as a mode of narration that seeks to naturalize the supernatural, this essay draws a distinction between faith and irreverence in magical realist discourse. It offers a brief account of magical realism's conceptual and literary history, analyses the state of current critical discourse and suggests ways in which nuanced modes of reading magical realist literature can be developed. Drawing from the early theorizing of Alejo Carpentier, the article proposes that one strand of magical realism is characterized by the desire to affirm non‐western world views and cultural modalities. On the other hand, Carpentier's contemporary, Jorge Luis Borges, provides the paradigm for an alternative view of magical realism that sees it as similar in key respects to postmodern literary projects. These contrasting approaches are then tested with reference to the magical realism of Ben Okri and Salman Rushdie.