Memoirs, Memory, and Historical Experience
Gabriel Gideon Hillel Motzkin
Abstract
Gabriel Gideon Hillel Motzkin
Abstract
The Argument Against the idea that modern historiography developed in the eighteenth century as a completely new way of looking at the past, this paper argues that modern historical science borrowed its sense of experience from seventeenth-century memoirs. However, seventeenth-century rnemorialists made very different as sumptions than modern historians about the relations between time, memory, and history. One consequence of their introduction of lived subjectivity into the depiction of the past was a debate in early eighteenth-century France about the relations between history and fiction, some arguing that fiction is a better way of grasping the subjective truth of the past. These debates about the relations between history and memory and between history and fiction have resurfaced recently. The historical moods that are one context for paradigm shifts share common motifs, such as a sense of defeat, of distance between the present and the immediate past, and a need for consolation through the elaboration of a new mode of experiencing the past.
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The Argument Against the idea that modern historiography developed in the eighteenth century as a completely new way of looking at the past, this paper argues that modern historical science borrowed its sense of experience from seventeenth-century memoirs. However, seventeenth-century rnemorialists made very different as sumptions than modern historians about the relations between time, memory, and history. One consequence of their introduction of lived subjectivity into the depiction of the past was a debate in early eighteenth-century France about the relations between history and fiction, some arguing that fiction is a better way of grasping the subjective truth of the past. These debates about the relations between history and memory and between history and fiction have resurfaced recently. The historical moods that are one context for paradigm shifts share common motifs, such as a sense of defeat, of distance between the present and the immediate past, and a need for consolation through the elaboration of a new mode of experiencing the past.
Key concepts: Subjectivity, Historiography, Memoir, Depiction, Consolation, History, Context (archaeology), Argument (complex analysis)