2001University of the Arts London Research Online (University of the Arts London)Requires access

Imagining fashion: Helmut Lang and Maison Martin Margiela

Alistair O’Neill

Open publisher page 0 citations

Abstract

I was commissioned to write one of four catalogue essays for this major fashion exhibition at the V&A. The exhibition focused on fashion as an instrument of novelty and change, and my contribution was to consider the role of image and spectacle in that respect. I analysed the fashion shows, publicity and marketing stratagems of two designers featured in the exhibition, Martin Margiela and Helmut Lang. I extended the discussion to explore how wearing fashion can itself be a form of performance, through an analysis of the work of artists concerned with clothing and appearance such as Gilbert and George, Cindy Sherman and the fashion designers Viktor & Rolf. The central argument of the essay is that an understanding of how fashion is presented is crucial to an understanding of how it is consumed. This is underlined through the exploration of how fashion can be seen or worn as a form of performance, and how this is mediated by, and structured through, still and moving imagery in other cultural fields. I situate fashion in a broad context and identify its links to other forms of visual and cultural production.

About this research paper

What this paper is about

I was commissioned to write one of four catalogue essays for this major fashion exhibition at the V&A. The exhibition focused on fashion as an instrument of novelty and change, and my contribution was to consider the role of image and spectacle in that respect. I analysed the fashion shows, publicity and marketing stratagems of two designers featured in the exhibition, Martin Margiela and Helmut Lang. I extended the discussion to explore how wearing fashion can itself be a form of performance, through an analysis of the work of artists concerned with clothing and appearance such as Gilbert and George, Cindy Sherman and the fashion designers Viktor & Rolf. The central argument of the essay is that an understanding of how fashion is presented is crucial to an understanding of how it is consumed. This is underlined through the exploration of how fashion can be seen or worn as a form of performance, and how this is mediated by, and structured through, still and moving imagery in other cultural fields. I situate fashion in a broad context and identify its links to other forms of visual and cultural production.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

I was commissioned to write one of four catalogue essays for this major fashion exhibition at the V&A. The exhibition focused on fashion as an instrument of novelty and change, and my contribution was to consider the role of image and spectacle in that respect. I analysed the fashion shows, publicity and marketing stratagems of two designers featured in the exhibition, Martin Margiela and Helmut Lang. I extended the discussion to explore how wearing fashion can itself be a form of performance, through an analysis of the work of artists concerned with clothing and appearance such as Gilbert and George, Cindy Sherman and the fashion designers Viktor & Rolf. The central argument of the essay is that an understanding of how fashion is presented is crucial to an understanding of how it is consumed. This is underlined through the exploration of how fashion can be seen or worn as a form of performance, and how this is mediated by, and structured through, still and moving imagery in other cultural fields. I situate fashion in a broad context and identify its links to other forms of visual and cultural production.

Key concepts: Exhibition, Clothing, Spectacle, Art, Context (archaeology), Visual arts, Argument (complex analysis), Publicity

Related papers

Back to paper searchBrowse research topicsOriginal source
Imagining fashion: Helmut Lang and Maison Martin Margiela — Research Paper | ScholarLens