Black Skin, White Masks
Frantz Fanon
Abstract
Frantz Fanon
Abstract
The black man has two dimensions. One with his fellows, the other with the white man. A Negro behaves differently with a white man and with another Negro. Every colonized people—in other words, every people in whose soul an inferiority complex has been created by the death and burial of its local cultural originality—finds itself face to face with the language of the civilizing nation; that is, with the culture of the mother country. In the French colonial army, and particularly in the Senegalese regiments, the black officers serve first of all as interpreters. They are used to convey the master’s orders to their fellows, and they too enjoy a certain position of honor. In the white world the man of color encounters difficulties in the development of his bodily schema.
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The black man has two dimensions. One with his fellows, the other with the white man. A Negro behaves differently with a white man and with another Negro. Every colonized people—in other words, every people in whose soul an inferiority complex has been created by the death and burial of its local cultural originality—finds itself face to face with the language of the civilizing nation; that is, with the culture of the mother country. In the French colonial army, and particularly in the Senegalese regiments, the black officers serve first of all as interpreters. They are used to convey the master’s orders to their fellows, and they too enjoy a certain position of honor. In the white world the man of color encounters difficulties in the development of his bodily schema.
Key concepts: Psyche, White (mutation), Consciousness, Poetry, Colonialism, Race (biology), Art, Art history