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A Treatise of Human Nature

David Hume

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Abstract

Book II. Of the passions Part III. Of the will and direct passions Section VIII. Of contiguity and distance in space and time continued. Thus we have accounted for three phenomena, which seem pretty remarkable. Why distance weakens the conception and passion: why distance in time has a greater effect than that in space: and why distance in past time has still a greater effect than that in future. We must now consider three phenomena, which seem to be, in a manner, the reverse of these: why a very great distance increases our esteem and admiration for an object: why such a distance in time increases it more than that in space: and a distance in past time more than that in future. The curiousness of the subject will, I hope, excuse my dwelling on it for some time. To begin with the first phænomenon, why a great distance increases our esteem and admiration for an object; it is evident that the mere view and contemplation of any greatness, whether successive or extended, enlarges the soul, and [gives] it a sensible delight and pleasure. A wide plain, the ocean, eternity, a succession of several ages; all these are entertaining objects, and excel every thing, however beautiful, which accompanies not its beauty with a suitable greatness. Now when any very distant object is presented to the imagination, we naturally reflect on the interposed distance, and by that means, conceiving something great and magnificent, receive the usual satisfaction.

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Book II. Of the passions Part III. Of the will and direct passions Section VIII. Of contiguity and distance in space and time continued. Thus we have accounted for three phenomena, which seem pretty remarkable. Why distance weakens the conception and passion: why distance in time has a greater effect than that in space: and why distance in past time has still a greater effect than that in future. We must now consider three phenomena, which seem to be, in a manner, the reverse of these: why a very great distance increases our esteem and admiration for an object: why such a distance in time increases it more than that in space: and a distance in past time more than that in future. The curiousness of the subject will, I hope, excuse my dwelling on it for some time. To begin with the first phænomenon, why a great distance increases our esteem and admiration for an object; it is evident that the mere view and contemplation of any greatness, whether successive or extended, enlarges the soul, and [gives] it a sensible delight and pleasure. A wide plain, the ocean, eternity, a succession of several ages; all these are entertaining objects, and excel every thing, however beautiful, which accompanies not its beauty with a suitable greatness. Now when any very distant object is presented to the imagination, we naturally reflect on the interposed distance, and by that means, conceiving something great and magnificent, receive the usual satisfaction.

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Book II. Of the passions Part III. Of the will and direct passions Section VIII. Of contiguity and distance in space and time continued. Thus we have accounted for three phenomena, which seem pretty remarkable. Why distance weakens the conception and passion: why distance in time has a greater effect than that in space: and why distance in past time has still a greater effect than that in future. We must now consider three phenomena, which seem to be, in a manner, the reverse of these: why a very great distance increases our esteem and admiration for an object: why such a distance in time increases it more than that in space: and a distance in past time more than that in future. The curiousness of the subject will, I hope, excuse my dwelling on it for some time. To begin with the first phænomenon, why a great distance increases our esteem and admiration for an object; it is evident that the mere view and contemplation of any greatness, whether successive or extended, enlarges the soul, and [gives] it a sensible delight and pleasure. A wide plain, the ocean, eternity, a succession of several ages; all these are entertaining objects, and excel every thing, however beautiful, which accompanies not its beauty with a suitable greatness. Now when any very distant object is presented to the imagination, we naturally reflect on the interposed distance, and by that means, conceiving something great and magnificent, receive the usual satisfaction.

Key concepts: Passions, Sect, Philosophy, Skepticism, Epistemology, Humility, Natural (archaeology), Literature

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