Cellular Automata in MIDI based Computer Music
Dave Burraston, Ernest Edmonds, D. A. Livingstone, Eduardo Reck Miranda
Abstract
Open-access reader
Dave Burraston, Ernest Edmonds, D. A. Livingstone, Eduardo Reck Miranda
Abstract
Open-access reader
This paper will present a survey of electronic music and sonic art applications of Cellular Automata in the MIDI domain, and of the implications of that work for future developments. Algorithmic and computational processes have been of interest to artists in the audio domain for many years, creating an emerging culture of algorithmic generative electronic art. There have been several approaches at applying Cellular Automata in the production of electronic music and sonic art. Creative domains of application exist in the fields of overall structural composition and MIDI sequencing. Cellular Automata utilised by these applications include 1D elementary, 2D Life and reaction diffusion systems. Applications from academic, independent and commercial sectors will be surveyed in an artistic, historical and technical context. This will provide the artist and scientist with a balanced view of this emerging field in generative electronic music and sonic art.
OpenAlex reports 23 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
This paper will present a survey of electronic music and sonic art applications of Cellular Automata in the MIDI domain, and of the implications of that work for future developments. Algorithmic and computational processes have been of interest to artists in the audio domain for many years, creating an emerging culture of algorithmic generative electronic art. There have been several approaches at applying Cellular Automata in the production of electronic music and sonic art. Creative domains of application exist in the fields of overall structural composition and MIDI sequencing. Cellular Automata utilised by these applications include 1D elementary, 2D Life and reaction diffusion systems. Applications from academic, independent and commercial sectors will be surveyed in an artistic, historical and technical context. This will provide the artist and scientist with a balanced view of this emerging field in generative electronic music and sonic art.
Key concepts: MIDI, Cellular automaton, Electronic music, Computer science, Generative grammar, Domain (mathematical analysis), Computer music, Automaton