An animate landscape: rock art and the prehistory of Kilmartin, Argyll
Andrew Meirion Jones, Davina Freedman, Blaze O’Connor, Hugo Lamdin-Whymark
Abstract
Andrew Meirion Jones, Davina Freedman, Blaze O’Connor, Hugo Lamdin-Whymark
Abstract
Report on excavation, landscape survey and environmental reconstruction in the important prehistoric landscape of Kilmartin, Argyll, Scotland The Kilmartin landscape in western Scotland is widely regarded as Scotland's richest prehistoric landscape. It contains a number of barrow cemeteries, stone alignments, stone circles and a henge. With over 250 individual rock art sites, it also has the greatest concentration of prehistoric rock art in the British Isles and some of the most impressive rock art sites. An Animate Landscape contains the results of a major research project that included excavations of two sites, Torbhlaren and Ormaig, and the analysis of radiocarbon dates to produce a more coherent chronological context, as well as taking a broader interpretative approach to the landscape. The book argues that the rock art is an active part of the process of socialising the landscape, in which the landscape became more organised from the Late Neolithic onwards, and that this organised landscape relates to broader cosmological concerns.
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Report on excavation, landscape survey and environmental reconstruction in the important prehistoric landscape of Kilmartin, Argyll, Scotland The Kilmartin landscape in western Scotland is widely regarded as Scotland's richest prehistoric landscape. It contains a number of barrow cemeteries, stone alignments, stone circles and a henge. With over 250 individual rock art sites, it also has the greatest concentration of prehistoric rock art in the British Isles and some of the most impressive rock art sites. An Animate Landscape contains the results of a major research project that included excavations of two sites, Torbhlaren and Ormaig, and the analysis of radiocarbon dates to produce a more coherent chronological context, as well as taking a broader interpretative approach to the landscape. The book argues that the rock art is an active part of the process of socialising the landscape, in which the landscape became more organised from the Late Neolithic onwards, and that this organised landscape relates to broader cosmological concerns.
Key concepts: Prehistory, Rock art, Archaeology, Excavation, Radiocarbon dating, Context (archaeology), Landscape archaeology, Geography