Baudelaire's Feminine, Urban Landscape: Symbolic City and the (De)generative Woman
Atalia Lopez
Abstract
Atalia Lopez
Abstract
This paper positions the poetry of Charles Baudelaire between Paris’ urban landscape and the inspirational qualities of its demimonde. The argument proposes that the degenerative feminine figures in Baudelaire's poems are the driving force of his overarching aesthetic—an aesthetic that rests in sensual immersion and an acknowledgement of the inverse of traditional beauty. The women invite, entice, corrupt, and inspire the poet within the urban environment that is their domain. While the modern metropolis exists in a state of flux, its capacity for decay and corruption is consistent; the female figures of the urban underworld provide Baudelaire’s aesthetic with definition and form.
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This paper positions the poetry of Charles Baudelaire between Paris’ urban landscape and the inspirational qualities of its demimonde. The argument proposes that the degenerative feminine figures in Baudelaire's poems are the driving force of his overarching aesthetic—an aesthetic that rests in sensual immersion and an acknowledgement of the inverse of traditional beauty. The women invite, entice, corrupt, and inspire the poet within the urban environment that is their domain. While the modern metropolis exists in a state of flux, its capacity for decay and corruption is consistent; the female figures of the urban underworld provide Baudelaire’s aesthetic with definition and form.
Key concepts: Poetry, Beauty, Acknowledgement, Aesthetics, Art, Argument (complex analysis), Urban landscape, Sociology