1923Medical Entomology and ZoologyRequires access

My musical life

Nikolay Rimsky-Korsakov, Yehudah Yofe, Carl Van Vechten

Open publisher page 33 citations

Abstract

Nikolay Andreyevich Rimsky-Korsakov was probably one of the most significant composers in Russia in the 19th century. Largely self taught - he trained as a naval officer - he is best known for three orchestra works: Sheherazade, the Spanish Capriccio and Easter. He has influenced subsequent generations of composers, and his own pupils included Glazunov, Stravinsky and Prokofiev. This is an account of the growth of a Russian national musical idiom that followed the pioneer work of Glinka, and culminated in the ballets of Stravinsky. As a member of Five - the foremost young composers of his generation - Rimsky presents us with a unique insight into the daily lives and work of Balakirev (their implacable leader), Cesar Cui, Modest Mussorgsky and Alexander Borodin. There are imtimate portraits of these and other colleagues, including Tchaikovsky, Rubinstein, Glazunov, and Liadov. The lively musical scene in Petersburg is also evoked. A major part of the book describes Rimsky-Korsakov's own musical career, from unpromising amateur beginnings to final unofficial ascendancy as the father of Russian music.

About this research paper

What this paper is about

Nikolay Andreyevich Rimsky-Korsakov was probably one of the most significant composers in Russia in the 19th century. Largely self taught - he trained as a naval officer - he is best known for three orchestra works: Sheherazade, the Spanish Capriccio and Easter. He has influenced subsequent generations of composers, and his own pupils included Glazunov, Stravinsky and Prokofiev. This is an account of the growth of a Russian national musical idiom that followed the pioneer work of Glinka, and culminated in the ballets of Stravinsky. As a member of Five - the foremost young composers of his generation - Rimsky presents us with a unique insight into the daily lives and work of Balakirev (their implacable leader), Cesar Cui, Modest Mussorgsky and Alexander Borodin. There are imtimate portraits of these and other colleagues, including Tchaikovsky, Rubinstein, Glazunov, and Liadov. The lively musical scene in Petersburg is also evoked. A major part of the book describes Rimsky-Korsakov's own musical career, from unpromising amateur beginnings to final unofficial ascendancy as the father of Russian music.

Why it matters

OpenAlex reports 33 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Nikolay Andreyevich Rimsky-Korsakov was probably one of the most significant composers in Russia in the 19th century. Largely self taught - he trained as a naval officer - he is best known for three orchestra works: Sheherazade, the Spanish Capriccio and Easter. He has influenced subsequent generations of composers, and his own pupils included Glazunov, Stravinsky and Prokofiev. This is an account of the growth of a Russian national musical idiom that followed the pioneer work of Glinka, and culminated in the ballets of Stravinsky. As a member of Five - the foremost young composers of his generation - Rimsky presents us with a unique insight into the daily lives and work of Balakirev (their implacable leader), Cesar Cui, Modest Mussorgsky and Alexander Borodin. There are imtimate portraits of these and other colleagues, including Tchaikovsky, Rubinstein, Glazunov, and Liadov. The lively musical scene in Petersburg is also evoked. A major part of the book describes Rimsky-Korsakov's own musical career, from unpromising amateur beginnings to final unofficial ascendancy as the father of Russian music.

Key concepts: Amateur, Musical, Portrait, Art, Literature, Performance art, Art history, History

Related papers

Back to paper searchBrowse research topicsOriginal source
My musical life — Research Paper | ScholarLens