2002•Journal of the Audio Engineering SocietyRequires access

Improved microphone array configurations for auralization of sound fields by Wave Field Synthesis.

Edo M. Hulsebos, Diemer de Vries, Emmanuelle Bourdillat

Open publisher page 92 citations

Abstract

In order to correctly reproduce ( “auralize” ) the acoustic wave field in a hall through a wave-field synthesis (WFS) system, impulse responses are nowadays measured along arrays of microphone positions. Three array configurations are considered ‐ linear, cross, and circular. The linear and cross array configurations both have strong limitations, most of which can be avoided by using circular arrays. Auralization techniques are explained for all types of arrays. For the circular array configuration the connection between circular holophony, highorder incoming and outgoing ambisonics, and plane-wave decomposition for a sound field will be established and used as a tool for auralization.

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What this paper is about

In order to correctly reproduce ( “auralize” ) the acoustic wave field in a hall through a wave-field synthesis (WFS) system, impulse responses are nowadays measured along arrays of microphone positions. Three array configurations are considered ‐ linear, cross, and circular. The linear and cross array configurations both have strong limitations, most of which can be avoided by using circular arrays. Auralization techniques are explained for all types of arrays. For the circular array configuration the connection between circular holophony, highorder incoming and outgoing ambisonics, and plane-wave decomposition for a sound field will be established and used as a tool for auralization.

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OpenAlex reports 92 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

In order to correctly reproduce ( “auralize” ) the acoustic wave field in a hall through a wave-field synthesis (WFS) system, impulse responses are nowadays measured along arrays of microphone positions. Three array configurations are considered ‐ linear, cross, and circular. The linear and cross array configurations both have strong limitations, most of which can be avoided by using circular arrays. Auralization techniques are explained for all types of arrays. For the circular array configuration the connection between circular holophony, highorder incoming and outgoing ambisonics, and plane-wave decomposition for a sound field will be established and used as a tool for auralization.

Key concepts: Acoustics, Ambisonics, Microphone array, Impulse (physics), Microphone, Circular buffer, Impulse response, Field (mathematics)

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