1997Quaderni d italianisticaOpen access

Chaucerian Polity: Absolutist Lineages and Associational Forms in England and Italy

David Wallace, Angus Somerville

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Abstract

DavidWallace finds Chaucer engaged in surprising ideological areas.Wallace's ac- count of Chaucer's polity challenges conventionally evaluative periodisations as well as offering a radically new configuration of Chaucer's involvement with discourses that are generally associated with the Italian Renaissance.Chaucer's reworking of those discourses suggests the ideal of a generously inclusive associational polity in comparison with which the subsequent Renaissance must appear as a dark age of autocratic absolutism.Wallace approaches Chaucer's poetry through a rich blend of Marxist historiography, cultural materialism, and gender studies.

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DavidWallace finds Chaucer engaged in surprising ideological areas.Wallace's ac- count of Chaucer's polity challenges conventionally evaluative periodisations as well as offering a radically new configuration of Chaucer's involvement with discourses that are generally associated with the Italian Renaissance.Chaucer's reworking of those discourses suggests the ideal of a generously inclusive associational polity in comparison with which the subsequent Renaissance must appear as a dark age of autocratic absolutism.Wallace approaches Chaucer's poetry through a rich blend of Marxist historiography, cultural materialism, and gender studies.

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Available abstract

DavidWallace finds Chaucer engaged in surprising ideological areas.Wallace's ac- count of Chaucer's polity challenges conventionally evaluative periodisations as well as offering a radically new configuration of Chaucer's involvement with discourses that are generally associated with the Italian Renaissance.Chaucer's reworking of those discourses suggests the ideal of a generously inclusive associational polity in comparison with which the subsequent Renaissance must appear as a dark age of autocratic absolutism.Wallace approaches Chaucer's poetry through a rich blend of Marxist historiography, cultural materialism, and gender studies.

Key concepts: Polity, Prologue, Thou, Rhetoric, Apollo, Humanism, Art, Classics

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