Dynamic compression and sound quality of music
van Rajm Ruud Lieshout, WM Wil Wagenaars, Ajm Adrian Houtsma, EF Eduard Stikvoort
Abstract
van Rajm Ruud Lieshout, WM Wil Wagenaars, Ajm Adrian Houtsma, EF Eduard Stikvoort
Abstract
Amplitude compression is often used to match the dynamic: range of music to a particular playback situation in order to ensure, e .g ., continuous audibility in a noisy environment or unobtrusiveness if the music is intended as a quiet background. Since amplitude compression is a nonlinear process, it is potentially very damaging to sound quality. Three physical parameters of the compression process were investigated for their influence on sound quality: the degree of compression. a time constant for sound reduction, and a time constant for sound enhancement. A subjective, multidimensional comparison experiment with several subjects suggested that only the two first named are perceptually significant. By means of a multidimensional scaling experiment, with the original (uncompressed) signal as a reference, optimum values were determined for these parameters in two simulated acoustic environments. Finally, these optimal values were tested with a variety of music material.
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Amplitude compression is often used to match the dynamic: range of music to a particular playback situation in order to ensure, e .g ., continuous audibility in a noisy environment or unobtrusiveness if the music is intended as a quiet background. Since amplitude compression is a nonlinear process, it is potentially very damaging to sound quality. Three physical parameters of the compression process were investigated for their influence on sound quality: the degree of compression. a time constant for sound reduction, and a time constant for sound enhancement. A subjective, multidimensional comparison experiment with several subjects suggested that only the two first named are perceptually significant. By means of a multidimensional scaling experiment, with the original (uncompressed) signal as a reference, optimum values were determined for these parameters in two simulated acoustic environments. Finally, these optimal values were tested with a variety of music material.
Key concepts: Dynamic range compression, Sound quality, Acoustics, Compression (physics), Computer science, QUIET, Quality (philosophy), Dynamic range