Aspects of Narration in 'Persuasion'
Michael Orange
Abstract
Michael Orange
Abstract
Persuasion has one of those titles that echoes throughout the work it describes. And its range of meanings varies widely, from conveying a sense of coercion and duress to delicate, scarcely perceptible intimations of right conduct such as Anne Elliot offers to Captain Benwick. This becomes a major source of enjoyment in the novel, in that many readers of Austen find that the relationship established between narrator, characters and readers - that blend of action, consciousness and brisk meditation on both - is central to the particular pleasure derived from her own skills in all kinds of persuasion.
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Persuasion has one of those titles that echoes throughout the work it describes. And its range of meanings varies widely, from conveying a sense of coercion and duress to delicate, scarcely perceptible intimations of right conduct such as Anne Elliot offers to Captain Benwick. This becomes a major source of enjoyment in the novel, in that many readers of Austen find that the relationship established between narrator, characters and readers - that blend of action, consciousness and brisk meditation on both - is central to the particular pleasure derived from her own skills in all kinds of persuasion.
Key concepts: Persuasion, Pleasure, Coercion (linguistics), Narrative, Action (physics), Meditation, Consciousness, Sociology