1975Medical Entomology and ZoologyRequires access

Monet at Giverny

Claude Monet, Claire Joyes, Robert M. Gordon, Jean-Marie Toulgouat, Andrew Forge

Open publisher page 1 citations

Abstract

In May 1883 the French Impressionist painter Claude Monet settled with his family in Giverny, a small village on the Seine northwest of Paris. There, amidst the romantic garden landscape that Monet himself helped to design - including his own house and studio, greenhouses, ponds, and a Japanese-style bridge - the most fascinating and mature works of his last forty years came into being. In this volume Sagner-Duchting examines three important series that Monet painted in the immediate vicinity of Giverny: the Grain Stacks, the Poplars, and the Early Morning on the Seine series. In addition to providing a fascinating look at the influence of Giverny and its surroundings on his work, the author discusses Monet's innovative open form, exemplified by the paintings in his famous Waterlilies series. With these late works, Monet diverged from traditional pictorial ideas and came to be recognized as a pioneer of modern art.

About this research paper

What this paper is about

In May 1883 the French Impressionist painter Claude Monet settled with his family in Giverny, a small village on the Seine northwest of Paris. There, amidst the romantic garden landscape that Monet himself helped to design - including his own house and studio, greenhouses, ponds, and a Japanese-style bridge - the most fascinating and mature works of his last forty years came into being. In this volume Sagner-Duchting examines three important series that Monet painted in the immediate vicinity of Giverny: the Grain Stacks, the Poplars, and the Early Morning on the Seine series. In addition to providing a fascinating look at the influence of Giverny and its surroundings on his work, the author discusses Monet's innovative open form, exemplified by the paintings in his famous Waterlilies series. With these late works, Monet diverged from traditional pictorial ideas and came to be recognized as a pioneer of modern art.

Why it matters

OpenAlex reports 1 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

In May 1883 the French Impressionist painter Claude Monet settled with his family in Giverny, a small village on the Seine northwest of Paris. There, amidst the romantic garden landscape that Monet himself helped to design - including his own house and studio, greenhouses, ponds, and a Japanese-style bridge - the most fascinating and mature works of his last forty years came into being. In this volume Sagner-Duchting examines three important series that Monet painted in the immediate vicinity of Giverny: the Grain Stacks, the Poplars, and the Early Morning on the Seine series. In addition to providing a fascinating look at the influence of Giverny and its surroundings on his work, the author discusses Monet's innovative open form, exemplified by the paintings in his famous Waterlilies series. With these late works, Monet diverged from traditional pictorial ideas and came to be recognized as a pioneer of modern art.

Key concepts: Painting, Studio, Art, Style (visual arts), Romance, Art history, Visual arts, Bridge (graph theory)

Related papers

Back to paper searchBrowse research topicsOriginal source
Monet at Giverny — Research Paper | ScholarLens