2005•Journal de la Société des AméricanistesOpen access

Object lessons: the question of cultural property in the age of repatriation

Michael E. Harkin

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Abstract

Object lessons: the question of cultural property in the age of repatriation. Northwest Coast material culture has become increasingly identified as cultural property, a quasi-legal concept that denotes objects of a collective patrimony. This represents a radical shift from earlier notions of property, seen strongly as privately owned by individuals and family groups. Moreover, the status of these objects as art, that is, framed in a museum setting and partaking of certain transcendent qualities derived from the Western tradition, represents a dramatic redefinition of pieces that were considered analogous to human beings, as temporary entities. This process of redefinition, which is generational, political, and an invention of tradition, is probably inevitable.

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Object lessons: the question of cultural property in the age of repatriation. Northwest Coast material culture has become increasingly identified as cultural property, a quasi-legal concept that denotes objects of a collective patrimony. This represents a radical shift from earlier notions of property, seen strongly as privately owned by individuals and family groups. Moreover, the status of these objects as art, that is, framed in a museum setting and partaking of certain transcendent qualities derived from the Western tradition, represents a dramatic redefinition of pieces that were considered analogous to human beings, as temporary entities. This process of redefinition, which is generational, political, and an invention of tradition, is probably inevitable.

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Object lessons: the question of cultural property in the age of repatriation. Northwest Coast material culture has become increasingly identified as cultural property, a quasi-legal concept that denotes objects of a collective patrimony. This represents a radical shift from earlier notions of property, seen strongly as privately owned by individuals and family groups. Moreover, the status of these objects as art, that is, framed in a museum setting and partaking of certain transcendent qualities derived from the Western tradition, represents a dramatic redefinition of pieces that were considered analogous to human beings, as temporary entities. This process of redefinition, which is generational, political, and an invention of tradition, is probably inevitable.

Key concepts: Repatriation, Cultural property, Property (philosophy), Object (grammar), Politics, Sociology, Aesthetics, Epistemology

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