1996Unpublished venueRequires access

Naming a Practice: Curatorial Strategies for the Future

Peter White, K. Atkinson, Daina Augaitis, Renée Baert, Wayne Baerwaldt, Joan Borsa, Sharon E. Brooks, Sara Diamond, Rosemary Donegan, Lorne Falk, Bárbara Fischer, Jennifer Fisher, Sylvie Fortin, Richard Y.K. Fung, Sylvie Gilbert, Nicole Gingras, Bruce Grenville, Sunil Gupta, Jamelie Hassan, Tom Hill, Johanne Lamoureux, Scott Marsden, Judith Mastai, Everlyn Nicodemus, Matthew Teitelbaum, Henry Tsang, Keith Wallace, Scott Watson

Open publisher page 9 citations

Abstract

This publication is the full record (including papers, organizers' commentaries, and discussions transcripts) of a six-day seminar on curating in the visual arts, held in 1994 at the Banff Centre for the Arts and involving 29 (mostly Canadian) participants. Various phenomena and issues that have affected curatorial practices over the last decades are addressed: the local knowledge vs. new internationalism debate; the methodologies involved in producing exhibitions; possible definitions of curatorial practice; and curatorial ethics. Discussions include the impact of new technologies, the status of the independent curator, and the curator/artist relationship. Biographical notes on contributors. Circa 55 bibl. ref.

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What this paper is about

This publication is the full record (including papers, organizers' commentaries, and discussions transcripts) of a six-day seminar on curating in the visual arts, held in 1994 at the Banff Centre for the Arts and involving 29 (mostly Canadian) participants. Various phenomena and issues that have affected curatorial practices over the last decades are addressed: the local knowledge vs. new internationalism debate; the methodologies involved in producing exhibitions; possible definitions of curatorial practice; and curatorial ethics. Discussions include the impact of new technologies, the status of the independent curator, and the curator/artist relationship. Biographical notes on contributors. Circa 55 bibl. ref.

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OpenAlex reports 9 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

This publication is the full record (including papers, organizers' commentaries, and discussions transcripts) of a six-day seminar on curating in the visual arts, held in 1994 at the Banff Centre for the Arts and involving 29 (mostly Canadian) participants. Various phenomena and issues that have affected curatorial practices over the last decades are addressed: the local knowledge vs. new internationalism debate; the methodologies involved in producing exhibitions; possible definitions of curatorial practice; and curatorial ethics. Discussions include the impact of new technologies, the status of the independent curator, and the curator/artist relationship. Biographical notes on contributors. Circa 55 bibl. ref.

Key concepts: Exhibition, The arts, Internationalism (politics), Visual arts, Sociology, Library science, Art, Art history

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